

CONTACT INFORMATION
You can contact me if you have any inquiries regarding the pitch or you're interested in supporting the project.Shoot me an e-mail at [email protected]


While set in the Philippines, the narrative of Ang Pulang Mata ng Langit mirrors the lives of children around the world who are forever changed due to being a victim of war and experiencing horrifying events of war and violence. I strongly believe that this is a very important story to tell as it attempts to reframe these horrifying experiences in a way that is much easier to digest while still delving into the complex feelings a child encounters in times of great difficulty.I grew up learning about my grandparents’ experiences during the Japanese occupation while they were children as well as reading the anecdotes of different people around the world who experienced war first-hand, and I realized how these people had to grow so much faster than my generation.My grandmother had to sleep beside her deceased mother at the age of ten, the prospect of a complete family gone. My grandfather and his brothers had to run for their lives as Japanese soldiers searched for them. These experiences only exemplify the fact they were not given a chance to live a proper and peaceful childhood that they were rightfully expected to have.By juxtaposing the events and setting of a fairy tale with the events of war, the film creates a statement of how the realities of war slowly creep into children’s “fairy tales”, or their innocence. In the film, this is shown through the Black Boar haunting Aya in the forest, setting her house on fire, and sucking the life out of the two men just by its presence. It forces Aya to confront difficulties that she should not be experiencing because this is what war does to children.War makes itself inescapable and inevitable. It forces children to grow up in an environment where a decent life is impossible and necessities are hard to obtain. While hopeful, children like Aya are forced to cultivate a hope in their hearts because they are pushed into a state of a world that terribly needs hope.The film magnifies the peace and innocence of these children by using a fairy tale as an allegory and a manifestation of Aya’s dream to maintain the peace she’s yearns for. But no matter how hard Aya tries to escape the war, she is always brought back as she cannot completely ignore the war’s effects on her, such as the death of her grandmother, her city in flames, and the images of fallen civilians on the ground.- David Joshua V. Bernardo, Director of Ang Pulang Mata ng Langit


The visual style planned for Ang Pulang Mata ng Langit is inspired by films that are praised for distinctive styles and where the painterly medium stands out, such as Loving Vincent and The Man Who Planted Trees. While the film is planned to be animated digitally, a painterly, textured style will be emulated.The painterly style will feature strong and quick brushstrokes that imply a a sense of chaos and fast movement that is often associated with war. The raw appearance of this brushstroke mirrors the fear and eventual courage of Aya toward the Boar.The colors of the film mainly plays around red, white, and dark violet. Red highlights Aya, the fire, and the Boar’s eyes (hence, the title ‘Ang Pulang Mata ng Langit), while red and white helps the red pop out, creating visual motifs that focus on the key elements of the story: Aya, fire, and the Boar’s eyes.



Joshua Bernardo is a 2D artist and filmmaker specializing in concept art and visual development. He graduated from Mapúa University with a BA in Multimedia Arts. Through the medium of 2D illustration and animation, he explores stories with elements of fantasy, the mind, and emotionally complex experiences.His first animated short film, Solitary, has been officially selected in both local and international festivals in Portugal, Latvia, Romania, and the United States, bagging the Special Jury Prize for Animation in the 6th CineAnimo Festival and a Best Online Film nomination in the 6th BANG Awards – International Animated Film Festival. He is also a two-time recipient of the Cardinal Excellence Award from Mapua University in recognition of his film’s achievements in film festivals.He is currently developing his animation pitch, Ang Pulang Mata ng Langit (The Red Eye of the Sky), after his training in the 3rd SIKAP Animation Pitch Lab as one of the seven finalists of the program by a set of international jurors. He also has a side personal project called WANDERERS QUEST.Email: [email protected]
AWARDS
FINALIST - 3rd SIKAP Animation PItch Lab - 2024
BEST FILM (Southern Tagalog Shorts) - Pelikultura: Calabarzon Film Festival - 2025
SPECIAL JURY PRIZE FOR ANIMATION - 6th CineAnimo Film Festival - 2022
BEST PICTURE NOMINEE (STUDENT CATEGORY) - 6th CineAnimo Film Festival - 2022
BEST ONLINE FILM NOMINEE - 6th BANG AWARDS International Animated Film Festival - 2022
HONORABLE MENTION - Student World Impact Film Festival - 2022
CARDINAL EXCELLENCE AWARD - Mapua University’s Cardinal Excellence Awards - 2023
CARDINAL EXCELLENCE AWARD - Mapua University’s Cardinal Excellence Awards - 2025
OFFICIAL SELECTIONS
SOLITARY (2021)
6th BANG AWARDS International Animated Film Festival - 2022 (Portugal)
Student World Impact Film Festival - 2022 (United States)
T-Short Animated Film Online Festival - Bizarre Animation Panorama - 2022 (Latvia)
10th International Student Animation Festival - Animafantasia - 2022 (Romania)
Oroquieta Film Festival - Amihanan Section - 2021 (Philippines)
6th CineAnimo Film Festival - 2022 (Philippines)
I WANT TO BE (2024)
Pelikultura: The Calabarzon Film Festival - 2024 (Philippines)
Nabunturan Independent Film Exhibition - 2025 (Philippines)
'ANG PULANG MATA NG LANGIT' PITCH (2024)
FINALIST - 3rd SIKAP Animation PItch Lab - 2024
CREDITS
SOLITARY - Director, storyboard artist, animator, writer, character designer, and editor
I WANT TO BE - Lead animator






